Archive for September, 2019|Monthly archive page

September 13 Synchronicity

For me,  September 11 is often shadowed (if not overshadowed) by the Dawson College shooting of 2006, which (as a teacher there) I witnessed, from a fortunate, safe distance.

Today, however, reflecting on the work, I opened Ladonian Magnitudes by chance to the poem “Epistle to Zsolti”, a versified missive to my friend, Hungarian sound artist Zsolt Sőrés. The letter, as much as it overtly expresses a desire to correspond and communicate with a distant friend, as a poem, has other motivations, one of which was remarked by the “Gefin” in the poem (Hungarian-language poet Kemenes Géfin László, a close friend at the time), namely, the death of another friend, writer Daniel Philip Brack (DPB), September 13.

DPB reads

In acknowledgement of this manifold synchronicity, and in warm memory of DPB and the other friends in the poem, and the attachment that motivated it in the first place, I share it here.

 

Epistle to Zsolti

 

been on a Tom Waits

immersion course

for weeks now

buying him all up

latest and lastest

new or used

listening to just one new song

a day

carefully

these days Foreign Affairs 1977

like Blue Velvet’s soundtrack

reminiscent of Cronenberg’s Naked Lunch

 even a couple of “One-eyed Jack’s” in the lyrics:

our cinematic interests

our show’s DAT I’m so eager to hear

because of a heightened self-consciousness about Performance

teaching again now two weeks

Primal Shamanic poetry and poetics

that is “magical”, “sacralizing”, “holy-ing” “aestheticizing”, “estranging” language-act

& “The Truth is Out Where?! Exploring the Unexplained”

eager to get you a draft of our interview (!)

write up a short article on why my favourite books today are Hungarian,

namely yours and Gefin’s

Poems for Jolanta urged me

around high noon today

to likewise edit the literary remains of dear departed DPB

Yes! He in the Budapest Suites

hopfrogging with me a parodic waltz

through that night empty streetcar subway hub under intersection of those big utcas

loud and lively red eyed Bacchic old electric blue shark skin suit skinny black tie 50s grey hat

who one Friday

September 13

overdosed OD’d

in San Francisco LA

right out of rehab

he who made

our furious correspondence

into spontaneous pseudonymous

“heteronyms” like Pessoa’s?

Kierkegaardian personae?

serial surreal literary works

whose literary remains

but for one

now lost?

novel on old 5-inch floppy

now my care

hardly able to pick them up

for grief

for guilt

the years since

so really should get together with Cronenbergian croney and computer design wiz and get to it

Did I ever send you photos of the Trabante?

Hold-ups began on our return in July

when installing Flashcard reader jammed access to my Office Suite

& December saw the whole house of cards come crashing down

Just when the Raelians announced they’d cloned a human being

& BBC Radio 4 Frankfurter Allgemeine Zeitung feuillton Times Higher Education Supplement all wanted my opinion

now I’m waiting for the cheques and checking my expectations that something poetic might come out of it

Sleeping, eating,

& now working

are all I’ve been able to do since December 3

But now apparently energetic enough to send out some feelers

which seems appropriate for someone who aspires to be

the antennae of the race

 

 

Corpus Sample: Materializations II: “Gloze”

Last week’s “materialization” sought to concretize the language by collaging snippets of decontextualized conversation. This week’s tightens the knot, making “the language speak” about the language itself.

The philosopher Ludwig Wittgenstein is remembered for remarking that “meaning is use.” Taking this maxim literally, I collaged together examples of every use of the word ‘gloze’ drawn from the examples supplied by the Oxford English dictionary under the word’s entry. The word is thereby lexically if not semantically “emptied out” in a cubist fashion, putting Wittgenstein’s contention to an ironic test. The poem is further self-reflexive, because the word means to glare or inspect closely; therefore, the title can be taken to be the imperative tense, instructing the reader to gloze, gloss (another meaning), or otherwise attend to the word itself. The word has the added bonus, aside from its polysemy, of being a pun on the plural of the substantive ‘glow’ and the third person singular conjugation of the verb ‘to glow’ among other things. Attentive readers will also note the poem is a chance fourteen lines….

Though this compositional procedure held promise, I exploited it only two more times, to write the poem “Gnarled Box” (along with “Gloze” included in Grand Gnostic Central) and a longer, much more complex, intertextual work that develops a passage from Lautreamont’s Poesies fittingly entitled “Poesies”.

‘Gloze’ is also the name of the first, self-published chapbook, that served as my calling card in Germany during my first European tour in 1996. And, like “Elenium” it inspired a videopoem by Ty “Jake the Dog” Hochban, viewable after the poem.

Gloze

 

Gloze

 

No more men maye glosen withouten text

Than bylde materles.  With fals talkyng

Many gloses are made.  With Retorike,

Ne glosed eloquence, some to opteyn

Favour will flatter and glose, with new Glozes

Tainte the Text, and vnto you a fayned

Tale will gloze.  Give a good glose from thy strain’d

Goggle eye, peep from the watry Humour,

And glow upon any word you may gloze,

The parasite glozes with sweet speeches,

With the tongue of flattery glozing deeds,

Known only to those who have glozed over

An illusory glozing of light dismally

Glimmering, glosing with the glory of day.

 

 

 

Corpus Sample: Materializations I: “Elenium”

elenium

Ironically, at a time when text is at its most material (as something to be cut and pasted, or mindlessly composed or translated by software) it is at the same time most invisible, the sign a mere window onto its meaning, disposable as a paper coffee cup once the latté is finished. Poets have, understandably, especially in recent decades, worked against this trend.

“Elenium” (aside from the elusiveness of its title) slows down the too-ready consumption of the language by complicating its logic. The poem collages overheard bits of conversation without any indication of which words belong to which speakers or even how many speakers there are. However old (and it is very old) this device is, it caused no little consternation to the most vociferous of the reviewers of Ladonian Magnitudes (see the “Product Description” at the book’s page at Amazon.ca) from which this poem is taken.

Happily, the poem inspired a video interpretation (by Ty “Jake the Dog” Hochban), viewable after the poem itself.

 

Elenium

The isle is full of voices

 

a tiny little yellow oval pill

Judy Garland ravaged by her phantoms

it’ll all be alright

 

they’re all pretty full—one’s puffed up

hashish, port, and In Memoriam

we must have some music, some more to drink

 

and then we are ready for “Shades of Callimachus…”

late night calls for coke are disturbing and boring

I always bring him something from Holland

 

what have we done yet? —I can see

the flower in the bud—and she is a bud!

let’s remember hysteria was thought to be a migrating uterus

 

you having sex would never look good

a colony mongrel hand-me-down genes

yet eyes are the guides of love still

 

that must have given you a twitch or two

with the Xanax I don’t feel like I need a cigarette

though you wouldn’t say you have beaten out your exile