Archive for the ‘poetry recordings’ Tag
What, then, is to be done?

Today, in reaction to the burning of over a hundred wildfires, thirty-six out of control, the province of Alberta has declared a state of emergency. Meanwhile, neighbouring British Columbia is suffering spring floods. And one doesn’t have to look too far afield to see the same and worse elsewhere (or elsewhen).
Understandably, among those persuaded of the reality of the threat of global warming and who either are not among those breathing hot and heavy over their growing fossil fuel wealth or haven’t simply given up (e.g., those persuaded of Near Term Human Extinction) the question of “What is to be done?” weighs heavy.
Among them are The Guardian‘s George Monbiot and scholar-activist Andreas Malm, the latter who has just published a rebuttal to a recent column by the former questioning the aptness of property destruction in the struggle for the system change the fight against global warming calls for—a good, provocative read.
Among those who pose the question asked above is myself, or, at least, the self who wrote the poem “And if I thought…” you can hear, below. (You can also read it at The /tƐmz/ Review here). I don’t offer any answers, but rather give vent to that sense of crisis, writing out of what that demand to act feels like, at least for me, then…
On Poets and Poetry, the Living and Otherwise

A line in a recent poem of mine reads, ‘”…Dante, Hölderlin, Whitman.” “They’re dead,” they said, an absolutely modern.’
The opinion, or, more charitably, judgement, of that “absolutely modern” is one I’ve encountered and that has irked me for nearly a generation (i.e., three decades) now. The well-read reader has likely already arrayed a phalanx of arguments to skewer said opinion, and I would hope the litotic irony that underwrites my line would serve as sufficient refutation, especially as, its being Easter weekend and I’m reading through the Commedia, “I have no will to try proof-bringing.”
That being said, a poem of mine published a while back in Scrivener, touches on, if not quite addresses, the topic. I offer it here, in print and voice.
I remain fairly persuaded this intervention is unlikely to be my final word on the matter…
This way to Sàghegy…

One of the editors here at Poeta Doctus is synchronicity. And, after all, what poetic sensibility isn’t tuned to the rime of meaningful coincidence?
To wit: a friend recently shared a photo from a small town near where he presently lives in Hungary, Celldömölk. Now, it so happens I visited Celldömölk in 1991 to honour the publication of a friend’s avant garde epic work Fehérlófia (the son of the white horse). In the upper right hand corner of the picture, you can see directions to the nearby vulkán, the extinct volcano Mount Ság (Sághegy).
Among other claims to fame, Sághegy is where the epic’s author, Kemenes Géfin László, hid out after participating in the Hungarian Revolution in 1956, before he was able to flee to Austria and eventually to Montreal, Canada, where I was fortunate enough to make his acquaintance. Returning to his home town and the flanks of Sághegy thirty-five years later, Géfin was struck by the lushness of the locale, so much he was moved to remark, “There is a god here!”
To honour the occasion, I sat and furiously composed some forty different iterations (I still have the small, black notebook) of what eventually became the second Budapest Suite. To honour this most recent synchronicity I reproduce Budapest Suites II, below, and share a reading of the poem.
Budapest Suites II
for Laszlo Géfin
“There is a god here!”
In wild strawberry entangling thistles,
In maple saplings, a shroud on loam,
In chestnut and cherry blossoms over tree-line,
In goldenrod and grass, every green stalk, bowed with seed.
And there is a god who
Quarries slate for imperial highways,
Mines iron-ore out of greed,
Who would have Mount Ság again
Ash and rock.
And there is a god
In the seared, scarred, spent, still,
For lichen, poppies and song
Here rise from the bared
And broken rock to the air!
New poem online: “Exercise: Prospective Verse”

The EcoTheo Review has been kind enough to publish and share a humble poem of mine online, which can be read, here.
Despite our best efforts, a recording of the poem I made wasn’t posted along with the poem; therefore, I share that recording, here:
Solace for staycationers
A lot of folks aren’t able to travel as has been their wont these days. One new acquaintance and partner had been planning a short tour of Germany and Italy last summer, a plan put off until at least next summer.
To help them suffer their enforced staycation, I offer this poem from Ladonian Magnitudes, “European Decadence in medias res” to remind them of what they are missing and offer some solace. A recording of the poem follows.
European Decadence in medias res
They’re cutting the gelato in Sirmione
with pure azure lakewater.
In Siena City Hall two old pigeons hunched
on the bitch-wolf’s back trickle lime down
to her teats suckled by the twins.
In the Old City they serve una vera grappa
senese I’ve always passed over at the S.A.Q..
In Otterndorf the Matjes Dutch sushi
raw herring is swimming in salmonella.
In Charles de Gaulle Theseus a clochard
begs our last cents. “If we miss our connection
I’ll strangle somebody!” I said when we finally
found our flight home and remembered I’d said it
arriving. Air France dejeneur croissant et eau de source.

For the Love of Dante redux
Every Easter Week I read through Dante’s Commedia.
Last year, to mark the occasion, I recorded a poem “The book I can’t read closed beside me…”. As Easter Week has come around again, and, since making that last recording, I’ve been fortunate enough to invest in a new microphone, I’ve re-recorded a cleaner, crisper, and hopefully more lively version.
You can read that original post and hear the new recording, here.
Synchronicity-invoked Dangerous Supplement
By “meaningful coincidence,” the day I downloaded and taught myself the software I needed to make the raw Zoom footage of the launch for my latest chapbook at least a little more presentable, a Canadian poet-critic shared he’d just published an essay on “‘counterfactual’ poetry anthologies, ” a topic essayed by one of the poems from that chapbook‘s Toronto Suite: “Literary Life in the Capital””

“As on a holiday” launch, for your poetry viewing pleasure…
The March 24, 2021 launch of my latest chapbook is now up online: if you missed the event, you can catch it here.
As on a holiday: teaser #3

My latest chapbook, As on a holiday, launches Wednesday 24 March.
It’s a challenging book to present orally/aurally, as the poems are all very short. The reader, too, therefore, is faced with the question of exactly how to connect all these short poems. In the tradition of postmodern poetry, such as that of Homer, Dante, and Cervantes, the collection includes a poem that suggests an approach, the first of Farnad Songbook, read here:
Looking forward to seeing you all at the launch!
As on a holiday: Teaser #2

The launch of my new chapbook, As on a holiday, is getting closer. Today, I offer as preview (pre-hear?) two poems from the section “Made in Germany”.
Everything you need to tune in you should find here.