Archive for July, 2019|Monthly archive page

New on the Video Page: Accent Poetry series 29 July 2019

New on the Video Page!

Thanks to Devon Gallant for the invite; and a pleasure to have read with that evening’s other featured reader, Derek Webster.

As I have the creative metabolism of a pop star (i.e., roughly a dozen new poems a year), new volumes of work are slow to appear. Four of the seven poems I perform here are therefore “new”.

Play list:
1. Budapest Suites I (from Grand Gnostic Central)
2.”European Decadence in medias res” (from Ladonian Magnitudes)
3. Hamburg & Kassel sections from “Made in Germany”
4. Toronto Suite
5. “By Mullet River”
6. “Flying Saucers” (from Grand Gnostic Central)
7. “A sonnet is a moment’s &c.”

R&Ra

Doom porn: What would Martin Luther do?

Again, as happens, acquaintances I believe should know better, being educated, intelligent, and reflective, let the doomporn clickbait get the better of their sincere, best intentions and share distressing articles, such as this one about a report by two (2) Australians this spring positing that there is a “‘High Likelihood of Human Civilization Coming to an End’ Starting in 2050”.

Nearly, already, three decades back, a similar despair, coupled with Hopkins’ “God’s Grandeur” I had by heart and the offhand remark by a friend visiting the lush, extinct volcano near his birthplace, inspired a poem in answer (the second of seven Budapest Suites in Grand Gnostic Central).

 

Budapest Suites II

for Laszlo Gefin

 

“There is a god here!”

In wild strawberry entangling thistle,

In maple saplings, a shroud on loam,

In chestnut and cherry blossoms over tree-line,

In goldenrod and grass, every green stalk, bowed with seed.

 

And there is a god who

Quarries slate for imperial highways,

Mines iron-ore out of greed,

Who would have Mount Ság again

Ash and rock.

 

And there is a god

In the seared, scarred, spent, still,

For lichen, poppies and song

Here rise from the bared

And broken rock to the air!

 

Just last year, some widely-publicized remarks by Mayer Hillman (“We’re doomed!”) inspired a number of responses, an early version of one I posted here the last time a friend disseminated some other bleak pessimism…

I’m hardly a Bjorn Lomborg playing down the gravity of the situation and the urgent, concerted, radical action it calls for, including the need for no less focussed, lively and creative reflection and critique to articulate a post-anthropocentric, if not post-humanist, biocentric ecosophy. But nor am I a latter-day Jeremiah confusing his insight into the woes and flaws of the present with visions of imminent, righteous catastrophe. (It’s high time I address at greater length this newly-arisen apocalyptic tone in cultural criticism…).

To wit, and not for the last time, I’m sure, I share here two unpublished (…because editors [eye-roll emoji][facepalm emoji]…) sections of the sequence “Made in Germany”, composed in 2012.

 

Waiting on a train to what was

the East, the summer of the year

the New Age believed the World

would end, wildfires smoke

from Colorado to Croatia,

 

floodwaters deeper than memory

drown southern Russia and Thailand,

tornadoes plough the Midwest,

hurricanes blow past records

on the Eastern Seaboard.

 

 

http:// arctic-news.blogspot.de/p/global-extinction-within-one-human.html?spref=fb (21.07.2012)

 

Asked what he would do were the world to end

next day, Luther replied, “Plant an apple tree.”

 

102217-19-Philosophy-Knowledge-Epistemology

 

 

 

 

 

“Mile End est mort…”

For the more than three decades I’ve lived in Montreal, I’ve lived in the quarter known generally as The Plateau and more specifically and recently (to my ears, anyway) Mile End, most notably at “Grand Gnostic Central” on the corner of Rachel and St. Urbain (scenes from the cinematic version of The Apprenticeship of Duddy Kravitz were filmed just up the block), a couple of locations on Hutchison and Parc Avenue south of Bernard, and, since 1996 (for the time being) on the corner of St Joseph and Parc in what our landlady calls her Chateau du Parc.

mile end est mort

Credit: Mary Shelley

Montreal, like any number of cities on earth, is suffering a process of gentrification. In  my area, it’s been underway for years, but it’s picked up since a number of software companies (Ubisoft and Softimage) have moved in. When it all began, I reflected that more affordable if less “desirable” neighborhoods attract those who can afford to live in them, which will often include creatives, writers, painters, artists, and so forth. Their creative energies, by a cruel dialectic, make the neighborhood more beautiful, pleasant and lively, attracting more residents and businesses, beginning a process of, well, gentrification. The creatives and others who made the place attractive in the first place are forced to move out, to some other quarter, sometimes in some other city, where the process can begin all over again.

A poem in Ladonian Magnitudes, “The Intersection” remarks this process. I share it below as a manner of memorial.

 

The Intersection

 

where l’Esplanade

meets Villeneuve

 

that spring dusk

the air’s first

 

breathable classic

sunlit redbrick

 

the unique quaint

three-storey walkups

 

characteristic of

the quarter’s charm

 

are almost all

so made up

 

like new the one

run down white tshirt

 

underarm stain yellow

building with muddy

 

white frames peeling

around cracked panes

 

stands out like

never among

 

those other fronts

kept up for years

 

without a thought

of what they’d go for

 

 

 

 

Set List: Accent Reading Series: Monday 29 July 2019

20190715_140503Having settled on poems that have to do with travel for my upcoming reading, I post here the set list and link poems on-line that are among those I’ll perform, for interested parties.

“European Decadence in medias res” (from Ladonian Magnitudes)

Budapest Suites I (from Grand Gnostic Central)

Two poems from Made in Germany, (“In Berlin, at the Mehringdamm U-Bahn station…” and “Cabbie on Documenta13”)

Toronto Suite (early versions of two of three poems in the suite can be read here and here)

“À Québec” (from Grand Gnostic Central)

“The Intersection” (from Ladonian Magnitudes)

“By Mullet River”

“A Sonnet is a moments, &tc.”

 

 

 

At the Accent Weekly bilingual poetry series & Open Mic

It’s rare and special when I get to share my work in public, and I’m grateful for this latest opportunity.

credit Brian Campbell

credit Brian Campbell

I’ll be one of two featured readers (with Derek Webster) at the next Accent reading series event:

Monday 29 July
at ‘La Marche a Cote’ 5043 St. Denis, Montreal, Quebec.

Officially things get underway at 19h00, but the real fit hits the shan around 20H00!

I’m working on my fifteen-minute set, now:  at present, I’ll either be reading poems pertinent to the moment from my first two books, or, since we’ll all be stuck in town, maybe a selection of poems about anywhere other than Montreal!

You can read more about the series, here.