Archive for the ‘Canadian poetry’ Tag

D. M. Bradford’s latest: Bottom Rail on Top

Former student and present poet friend announces the imminent publication of his second trade edition, Bottom Rail on Top, “a kind of archives-powered unmooring of the linear progress story [that] fragments and recomposes American histories of antebellum Black life and emancipation, and stages the action in tandem with the matter of [the poet’s] own life.

You can hear the author say a few words on his new book and pre-order it by clicking on its cover:

What, then, is to be done?

Today, in reaction to the burning of over a hundred wildfires, thirty-six out of control, the province of Alberta has declared a state of emergency. Meanwhile, neighbouring British Columbia is suffering spring floods. And one doesn’t have to look too far afield to see the same and worse elsewhere (or elsewhen).

Understandably, among those persuaded of the reality of the threat of global warming and who either are not among those breathing hot and heavy over their growing fossil fuel wealth or haven’t simply given up (e.g., those persuaded of Near Term Human Extinction) the question of “What is to be done?” weighs heavy.

Among them are The Guardian‘s George Monbiot and scholar-activist Andreas Malm, the latter who has just published a rebuttal to a recent column by the former questioning the aptness of property destruction in the struggle for the system change the fight against global warming calls for—a good, provocative read.

Among those who pose the question asked above is myself, or, at least, the self who wrote the poem “And if I thought…” you can hear, below. (You can also read it at The /tƐmz/ Review here). I don’t offer any answers, but rather give vent to that sense of crisis, writing out of what that demand to act feels like, at least for me, then…

On Poets and Poetry, the Living and Otherwise

A line in a recent poem of mine reads, ‘”…Dante, Hölderlin, Whitman.” “They’re dead,” they said, an absolutely modern.’

The opinion, or, more charitably, judgement, of that “absolutely modern” is one I’ve encountered and that has irked me for nearly a generation (i.e., three decades) now. The well-read reader has likely already arrayed a phalanx of arguments to skewer said opinion, and I would hope the litotic irony that underwrites my line would serve as sufficient refutation, especially as, its being Easter weekend and I’m reading through the Commedia, “I have no will to try proof-bringing.”

That being said, a poem of mine published a while back in Scrivener, touches on, if not quite addresses, the topic. I offer it here, in print and voice.

I remain fairly persuaded this intervention is unlikely to be my final word on the matter…

New poems up at The Typescript

Though accepted last year, The Typescript has at long last published three poems that compose the tentative title track to my latest poetry manuscript, Blank Song (or maybe Amid a Place of Stone). You can read them, here.

Willow Loveday Little on James Dunnigan’s Windchime Concerto

Like, wow.

Very happy to share here a brief but no less impactful review/essay by one of Montreal’s—nay, English Canada’s—most exciting young poets on another no less exciting young poet.

You can snag a copy of Little’s first trade edition, (Vice) Viscera, here. Read her review essay here.

(Did I mention the folks at Yolk are doing great things?)

Five new poems in The /Temz/ Review #21

The /Temz/ Review has kindly published five recent poem of mine, along with poems, stories, and reviews by many others. You can read it all, here.

Two poems newly online and in print!

With a deep bow of gratitude to special editor Karl E. Jirgens, I’m glad to share two poems in the most recent number of the Hamilton Arts and Letters Magazine. Among the many auspicious names, I would direct interested parties to the unnervingly talented contributions of James Dunnigan and Willow Loveday Little.

This way to Sàghegy…

One of the editors here at Poeta Doctus is synchronicity. And, after all, what poetic sensibility isn’t tuned to the rime of meaningful coincidence?

To wit: a friend recently shared a photo from a small town near where he presently lives in Hungary, Celldömölk. Now, it so happens I visited Celldömölk in 1991 to honour the publication of a friend’s avant garde epic work Fehérlófia (the son of the white horse). In the upper right hand corner of the picture, you can see directions to the nearby vulkán, the extinct volcano Mount Ság (Sághegy).

Among other claims to fame, Sághegy is where the epic’s author, Kemenes Géfin László, hid out after participating in the Hungarian Revolution in 1956, before he was able to flee to Austria and eventually to Montreal, Canada, where I was fortunate enough to make his acquaintance. Returning to his home town and the flanks of Sághegy thirty-five years later, Géfin was struck by the lushness of the locale, so much he was moved to remark, “There is a god here!”

To honour the occasion, I sat and furiously composed some forty different iterations (I still have the small, black notebook) of what eventually became the second Budapest Suite. To honour this most recent synchronicity I reproduce Budapest Suites II, below, and share a reading of the poem.

Budapest Suites II

for Laszlo Géfin

 

“There is a god here!”

In wild strawberry entangling thistles,

In maple saplings, a shroud on loam,

In chestnut and cherry blossoms over tree-line,

In goldenrod and grass, every green stalk, bowed with seed.

 

And there is a god who

Quarries slate for imperial highways,

Mines iron-ore out of greed,

Who would have Mount Ság again

Ash and rock.

 

And there is a god

In the seared, scarred, spent, still,

For lichen, poppies and song

Here rise from the bared

And broken rock to the air!

 

A short interview with Griffin-nominee, David Bradford

Griffin Trustee Ian Williams interviews (my) ex-student and poet-friend David Bradford about his Griffin-nominated first book Dream of No One but Myself. The conversation ranges over the book’s matter, some of its compositional gestures, and the title, and includes a short reading at the end.

Here’s looking ahead to the announcement of this year’s winners on Wednesday, 15 June!

David Bradford’s Dream of No One but Myself nominated for a Griffin!

This year’s Canadian nominees for the Griffin Poetry Prize include friend and ex-student David Bradford‘s first book Dream of No One but Myself.

Bradford’s is one of a number I’ve been trying to get around to writing about here at Poeta Doctus. Now, I guess, there’s even more reason. Do yourself a favour, click on the title above, and get yourself a copy, so you can better appreciate that review/notice when it finally gets written and posted, or, better, support a poet whose words call out for close attention.